The Simplicity of a Single Stroke

Written by: Katrina

February 21st, 2008

mark.jpgLike any discipline, some of the pitfalls of painting don’t emerge (or become recognizable) until after one takes the risk of continued practice. One of the greatest lessons I’ve been learning in painting is to take confidence in the simplicity of a single stroke – to appreciate what one simple stroke can accomplish and communicate. (The painting here is a study of Mark from a couple of weeks ago.)

Just because a stroke is simple doesn’t mean the painting comes out as simplistic. The simplicity of each stroke actually adds great interest to the painting. Now, I think a little bit longer before I throw paint on the canvas because I want to be intentional. And rightly so – a stroke remains packed with substance: placement, direction, color, consistency, texture, value, size, and relationship to other strokes…

Before I did a lot of trial and error painting. If any of you have ever tried oil painting, you know that the paint takes an incredibly long time to dry! So while the paint is still wet, if the artist meddles in the strokes, the painting becomes muddy and difficult to appreciate. I have killed many pieces this way – out of insecurity and in search of perfection.

But my search was misguided. Even though I may not see what the painting will be as a finished piece, I have to trust the process. I let go and force myself to trust something that I cannot see. And a visual product emerges. It’s such a weird yet satisfying experience.

Unbelievable New Art School Structure

Written by: Katrina

January 28th, 2008

I think this is some of the most imaginative architecture I have seen in a long time. It is an art school out of Singapore’s Nanyang Technological University. Leave it to Asia to come up with a heart shaped building with grass runway-roofs. Check out the pictures:
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